As parent or parent-to-be, there exist a multitude of gifts you’ll be able to give your child to ensure that he or she grows up to be the fine young people you wish them to be. Yes, we’re talking about patience, kindness as well as the occasional toy. But, there exists yet another gift you can give that will ensure that the best parts of your child’s life remain immortalized.

Photographs help us appreciate our young lives, especially when we’re older. They remind us of the good moments, the bad and also where we come from.

Below we’ll acquaint you with a couple of essential photography tips and techniques that will help you, as proud parent, to capture all these moments that will, one day, help your child realize just how much you love him or her.

What To Expect

If you’re about to pick up your camera, just hold on, mom, dad. Take some time to think about photography in general: what is it that makes a good picture? Is it great technical ability? Perhaps the intuition needed to recognize a great shot when it presents itself. Or, maybe both?

In our opinion, photography is about a combination of technical skill and composition. You’ll have to learn to use your camera to its fullest extent while, at the same time, know which elements present in the frame will and won’t work.

We’ll give you a bit of advice on both to best prepare you for your photographic journey to come.

Technical Skills

Remember mom, dad: photography is all about light. And if you learn to manipulate the light entering though your camera’s lens, then you’ll be able to weave photographic magic! So let’s look at a couple of basic concepts.

A Little More About Light…

To best understand the motivation behind the fact that some types of light are good, in terms of photography, while others are less so, we have to understand what is meant by the ‘dynamic range’ of a camera.

The dynamic range refers to the differences in light or tone that can be accommodated before some aspects of the image in front of us loses detail. Our eyes have a dynamic range of about 2000:1, while the average camera only has a dynamic range of about 8:1. What this means in terms of lighting is that, when ‘wrong’ types of light are used to illuminate the subject of our photography, it will cast deep shadows that will appear black on film, even though we can make out the detail with the naked eye.

In practical terms, this means that, if you are planning on a bit of outdoor photography, you’ll do well to take your pictures either early in the morning or late in the afternoon. Cloudy days are also suitable and will provide you with the necessary soft light to bring out your child’s beautiful skin tone.

The Exposure Triangle

Your camera will provide you with a host of settings that will allow you to manipulate light as it enters through the lens. The most prominent among these represent the elements of the ‘Exposure Triangle’ and include ISO, aperture and shutter speed. Let’s take a brief look at each of these separately.

ISO

At this stage we’d like to encourage parents of all very young babies to switch off the flash. Not only will the sudden bright bursts of light startle your child, but it can also be potentially damaging to his or her developing vision.

However, that doesn’t mean you should put your camera down. On the contrary, learn to use the ISO setting of your camera efficiently.

ISO is a term that is used rather loosely and refers to the film speed standard for color-negative film as maintained by the International Standards Organization. Those parents who would like a bit more information can search for ISO 5000:1987 (though be warned: you’ll be greeted with a lot of technical information).

Now while most cameras nowadays don’t use film any more, the standards still apply and is more commonly referred to as the camera’s sensitivity to light.

If you are intent on taking a picture of your baby in a low-light environment, then you’ll want to ensure that you are using a high ISO number, like 800. In a bright environment, the reverse is true: a low ISO number will suffice. Acquaint yourself with this feature of your camera by experimenting.

Aperture

The aperture of your camera is defined as the amount of light that gets admitted onto the sensor and works very much like the pupil of the human eye. We measure the diameter of the aperture in f-stop and indicate it as follows: Fn, F:n or F-n, where n is the aperture size. The higher the f-stop the smaller the aperture.

Shutter Speed

The last element of the ‘Exposure Triangle’ refers to shutter speed, which is measured in fractions of a second and seconds. As the name implies, this function determines how fast the shutter opens and closes.

Shutter speeds between 1/60 (a sixtieth of a second) and 1/000 (a thousandth of a second) and faster will allow you to hold the camera in your hand. Shutter speeds of 1/30 (one thirtieth of a second) and slower will require the use of a tripod to avoid camera shake. However, take note: certain shutter speeds can last second, minutes or even longer and will capture more light as well as movement (that’s the cool trailing effect visible on photographs of highways).

Composition

In terms of composition, there are a lot of things that can be said and a lot of rules to be expelled. But in the end, good photographic composition is a skill mastered only by practice, practice and then some more, practice.

All we’ll be able to do is to give you a couple of pointers of things to look out for that will help you recognize certain elements that will help you on the journey to photographic excellence.

Texture & Lines

Take a look around you. What do you see? All physical objects have a texture, and they have lines, too.

The edges of said objects, if not the patterns on them, will fill each photograph you take with a variety of shapes. To excel in your photographic journey, you’ll have to train yourself to pay attention to these lines, shapes and textures. Have a look at your child (if he or she has already been born) and carefully study them for the aforementioned characteristics.

When its time for another photography spell, try to employ the following guidelines:

• - Converging lines will supply your picture with a sense of depth and distance
• - Curved lines or swirls will convey a sense of calm
• - Slanting lines, on the other hand, can imply direction or action

That being said, we’d also like you to pay attention to the various colors that fill the frame of your camera. Photography 101 states that colors that belong to the same tonal range will make for a better photograph than those that seem out of odds with one another.

An Interesting Angle

Last but not least in our mini parent photography course is something present in all brilliant photographs: a good angle. Whether you take a picture over your baby’s shoulder to show what he or she was looking at the time, or whether you find it fitting to show them in a special type of light or way, it’s often the unique angle that draws us to a picture.

Remember: all photographs should tell a story that’s what sets them apart from mere pictures.

About The Author: Betty A. Muscott is an accomplished child photographer who provides tips on how to photograph children outdoors to create beautiful images and some personalized photo gift hints. She provides a review of a great Canon starter digital camera, ideas on how to create amazing babies photos onto canvas and personalized photo gift ideas..

You don’t need “The Luck of the Irish” to take some St. Patricks Day photos and make them spectacular.  All you need are some cute little subjects (which you’ve already got) and a few inexpensive props (that you can easily and inexpensively obtain at your local party store.)   Couple those with a bright sunny day and, possibly, a field of grass or clovers, and you’ll have the perfect equation for some high quality, memory-made prints of your wee lads and lassies.

Here are some ideas for some creative St. Paddy’s portrait keepsakes:

• Balloons:  A simple bunch of green balloons is a unique way to draw attention to the picture.   Sometimes one big green balloon will add a little bit of uniqueness to your photo, too.  Against a stunning blue sky, on a bright sunny day, you are bound to create a setting that everyone will dote on.

• Hats: Local party supply stores have a lot of different styles;  Derby hats, green glittery top hats, a striped stove hat, or a charming plaid Gatsby style topper.   Add one of these hats to your baby, toddler, or older child’s precious little head, and you will definitely capture a fun mood in your shot.

• Green Feather Boa: This fun prop can be wrapped around your sleeping baby or wrapped around your diaper clad infant or toddler.  It adds texture and color, all-the-while capturing that winning photo.

While adding props to your portrait scene can really make your prints interesting and entertaining, there are a few things to remember and do that will make a good picture, a phenomenal picture.

• Lay the kids down, with their heads touching, and shoot from above.  This perspective is fun!

• Follow the “rule of thirds” by place your subjects on one of the imaginary lines that make up three vertical and horizontal columns/rows.   This rule produces an image that is very aesthetically pleasing.

• Seek motion in your picture by letting your subjects move freely while you shoot.  Sometimes this type of photography will produce that accidental image that you will treasure always.

“May your pockets be heavy and your heart be light,
May good luck pursue you each morning and night.”
~Irish Blessing

by Kelly Paal

Basic Composition
Now that you are beginning to understand how your camera works you can begin to understand basic composition. I know that many people that I’ve talked to think that photography is just pointing your camera and taking a photo but it’s more than that. After you understand how your equipment works you can begin to get into the real art of photography and that art is called composition.

Basic principles:

1. Use all of your available space. Fill the image with the image. If the reason that your taking the photo is your daughter’s beautiful face then get closer. If you’re taking an image of the breathtaking valley before you. Fill the frame with the valley. Keep distractions out of the frame. They’re called distractions for a reason.
2. Look at the forms in your image. You almost have to look at the people or the landscape before you in their simplistic geographic forms. A good way to learn form is to practice taking photos of still life objects, that you can arrange into pleasing forms. A good photo is always a beautiful arrangement of form. Whether it’s the beauty of a woman’s face, her features being forms, or a wonderful landscape, trees, rocks, and hills being forms.
3. Line or direction, motion. The direction of the forms in your photos is very important. Never have action or motion moving outside of your image. It will direct the eye away from your image. Diagonal motion lines are good, curves and “s” curves are better. The last two is probably way landscape photography is so popular nature is full of curves. Also never put a horizon line in the center of your frame.
4. Contrast, the difference between black and white. Now it is possible to have a beautiful photo with little contrast if that is your intention, this works best with color. But a lot of shots, some really beautiful shots have a nice balance of black, white, and grays. This can be manipulated for artistic purpose of course, but in the beginning you want to focus on trying to take shots with equal amounts of black, white, and shades of gray. (Shoot a roll of B&W film to really learn this principle.)
5. Color, you may have to familiarize yourself with the color wheel. (See my article Graphic Design Using Color for more information it’s for graphic design but the first couple of paragraphs talk about basic color theory) Whether you’re shooting nature or setting up your own shots in a studio you need to know what colors go together and why. Many of us have an instinct as to what looks good. When in doubt follow your instincts. Start out by taking shots of things that you think have pretty or beautiful colors. Show the photos to others and see if they agree. Photographers learn not only what they think is beautiful but what is universally beautiful as well.

Now the hard part practice all these principles at the same time. It’s not easy! Now you really know why photographers take years to really learn their craft.

This week’s assignment:
Let’s break this down into four assignments. You’ll need four rolls of film. Roll one, fill your available space. Shoot pictures of whatever you like, but get closer. Eliminate distractions from your image. Keep the focus of your image on whatever it was that made you want to take that photo. Roll two, forms. Here’s an old stand by that I did in college. Get out an assortment of vegtables and fruit from your kitchen. Put a sheet down on your table, no distractions, shoot an entire roll of the veggies and fruit making sure that your rearrange with each shot. Make sure you study your results and see which forms looked best. Roll three, Contrast, you can do this in B&W film if you want to. Take a shot of the flower in your garden in the early morning, afternoon, and sunset. Shoot some portraits at the same times, by candlelight too. When you see the results you will be surprised. Roll four, color. Use the vegtables again, this time paying attention to the colors. If you can tell me why a red tomato looks best on a green bed of lettuce or the orange sunset with the purple clouds is so captivating then you’ve figured out some of color theory.

If you have some specific questions please visit my Photography Forum.
© 2004 Kelly Paal

About The Author
Kelly Paal is a Freelance Nature and Landscape Photographer, exhibiting nationally and internationally. Recently she started her own business Kelly Paal Photography. She has an educational background in photography, business, and commercial art. She enjoys applying graphic design and photography principles to her web design.